Writing With a Broken Tusk

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Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. The blog name refers to the mythical pact made between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House and still miraculously in print.

Since March, writer and former student Jen Breach has helped me manage guest posts and Process Talk pieces on this blog. They have lined up and conducted author/illustrator interviews and invited and coordinated guest posts. That support has helped me get through weeks when I’ve been in edit-copyedit-proofing mode, and it’s also introduced me to writers and books I might not have found otherwise. Our overlapping interests have led to posts for which I might not have had the time or attention-span. It’s the beauty of shared circles—Venn diagrams, anyone?

Process Talk: Melanie Crowder and Megan Benedict on Great Gusts
picture books Uma Krishnaswami picture books Uma Krishnaswami

Process Talk: Melanie Crowder and Megan Benedict on Great Gusts

Great Gusts is a collection of tribute songs to selected winds of the world, those patterns of air that are part of the geographies, cultures, and lifeways of the lands they touch. I sent a bunch of questions to the co-authors, both members of the VCFA Writing for Children and young Adult community I cherish. Here’s the resulting conversation.

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Process Talk with Jen: Joanna Ho on We Who Produce Pearls
picture books Uma Krishnaswami picture books Uma Krishnaswami

Process Talk with Jen: Joanna Ho on We Who Produce Pearls

Posted by Jen Breach

In an interview with Caroline Richmond at We Need Diverse Books on the 2021 release of her picture book biography of Chinese artist and activist Ai Weiwei, author Joanna Ho said, “When you boil down so much of political activism, it often comes down to inviting people to recognize humanity in others and treat people accordingly.” In those terms, Joanna’s newest book We Who Produce Pearls, illustrated by muralist Amanda Phingbodhipakkiya, is a warm and assured invitation to readers to challenge the dominant white-centered version of history that has held sway since the founding of the United States.

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