Writing With a Broken Tusk

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Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. The blog name refers to the mythical pact made between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House and still miraculously in print.

Since March, writer and former student Jen Breach has helped me manage guest posts and Process Talk pieces on this blog. They have lined up and conducted author/illustrator interviews and invited and coordinated guest posts. That support has helped me get through weeks when I’ve been in edit-copyedit-proofing mode, and it’s also introduced me to writers and books I might not have found otherwise. Our overlapping interests have led to posts for which I might not have had the time or attention-span. It’s the beauty of shared circles—Venn diagrams, anyone?

Unheeded Warning: The Village Where the Chipko Movement Began
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Unheeded Warning: The Village Where the Chipko Movement Began

Years ago, I wanted to write a children’s book about the Chipko movement, an astonishing story of love and clarity. In the story, 18th century people of the Bishnoi community in Rajasthan in northern India, led by their women, hugged their trees to prevent them from being cut down, because they knew the value of that forest and didn’t want it to be sacrificed to a king’s ignorant ambition.

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Guam, Past and Present
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Guam, Past and Present

With Earth Day appoaching, on my reading list is The Properties of Perpetual Light, a new book by Julian Aguon, founder of Blue Ocean Law, an international law firm based in Guam, specializing in human and indigenous rights, self-determination, and environmental justice in the Pacific. The book addresses the history of colonization and militarization of Guam — and how Indigenous people have resisted U.S. influence.

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Sparrows in a New Don Freeman Book
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Sparrows in a New Don Freeman Book

Remember Corduroy, the bear who lost a button and found a friend? When Don Freeman, creator of the much-beloved little bear, died in 1978, his wife, Lydia worked with his former editor on a book Don had left unfinished: The Sparrows of Stonehenge.

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Visualizing the Long Project
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Visualizing the Long Project

Thank you to Caroline Starr Rose for letting me know about this marvelous graphic depiction of a process with which I am all too familiar, having been in "this writing business. Pencils and whatnot" for about thirty years now. Being the slow, plodding writer I am, stubbornly Poohish, I know all about the arc of the long project and have occasionally surprised myself retracing my own footsteps in search of Woozles, or could they be Grandfathers?

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The Dead Bird
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The Dead Bird

A bird is meant to defy gravity, right?

So finding a dead female varied thrush outside the door is just a heartstoppingly sad experience. I have stickers all over the glass windowpanes to stop birds from crashing into them. Did this bird miss my UV stickers? Was she a window casualty? Such a terrible thought.

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Process Notes: Caroline Gertler on Many Points of Me
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Process Notes: Caroline Gertler on Many Points of Me

I'm always thrilled to see books by writers whom I can claim as my students. Not because I think I taught them how to write that book--do we ever do that, really? The most I can do is recognize students who have the talent and drive to take a book from idea to completion. After that my job is to point out how a writer can lift a story into the light.

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Process Notes: Larissa Theule on Kafka and the Doll
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Process Notes: Larissa Theule on Kafka and the Doll

Kafka and the Doll is a picture book inspired by a fabled tale from legendary writer Franz Kafka's life. The book opens in Berlin in 1923, when Kafka and his sweetheart, Dora Diamant meet a little girl in a park in Berlin. The girl, Irma, is crying because she’s lost her doll, named, engagingly, Soupsy. Kafka assures her that the doll, named Soupsy, is not lost but merely traveling. What ensues is at once kind, inventive, and captivating. For three weeks Kafka writes and delivers letters to the child from her globetrotting doll. The letters thread through the journey of writer and child, becoming emblematic of growth and life, affection and loss.

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