Writing With a Broken Tusk
Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. The blog name refers to the mythical pact made between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House and still miraculously in print.
Since March, writer and former student Jen Breach has helped me manage guest posts and Process Talk pieces on this blog. They have lined up and conducted author/illustrator interviews and invited and coordinated guest posts. That support has helped me get through weeks when I’ve been in edit-copyedit-proofing mode, and it’s also introduced me to writers and books I might not have found otherwise. Our overlapping interests have led to posts for which I might not have had the time or attention-span. It’s the beauty of shared circles—Venn diagrams, anyone?
There is No Map for This: Guest Post from Tom Birdseye
This title is a writer’s dream. Take the words “there is no map for this” and you can use them as preface for anything doubtful, anything scary, a day gone wrong, a question unanswered.
You can use them to refer to life itself.
Fertile Ground for a Dialectic
by Tom Birdseye
“History is Key.” Anita Kharbanda’s Lioness of Punjab
How is it that growing up in India, I never heard of the woman at the center of Anita Kharbanda’s Lioness of Punjab? In accounts of the Emperor Aurangzeb’s siege of the Anandpur Sahib gurdwara, her name was curiously missing, just another example of the erasure of women in 19th and 20th century accounts of the past.
Mai Bhago lived in the 18th century, refusing to fit the mold of a domesticated woman. Instead, she mastered the arts of war and took up arms against the Mughal Empire.
Guest Post: Ashley Wilda on The Night Fox
From Ashley Wilda’s guest post: “I don’t know if I can do this.” That’s what I said to my husband after reading the editorial letter for The Night Fox. There was one major problem - I had too many walls.
Process Talk: Cynthia Leitich Smith on Harvest House
Cynthia Leitich Smith (see my post on Sisters of the Neversea) returns to the loving embrace of family and community with her YA novel, Harvest House. I was delighted to see Hughie of Hearts Unbroken take center stage here. I asked Cyn if she’d talk to me about the community these books collectively build and how the writing of Harvest House played out for her.
Process Talk: Nora Shalaway Carpenter & Rocky Callen on Ab(solutely) Normal
Revealing and hiding the self, finding who you are. accepting that self and all that comes along with it. Accepting others. Refusing to be denied. These are all human ways of being and yet for some of us life itself comes along with labels. Sometimes these can limit and wound; at other times, defining a problem can set a person free. Many ways, many voices, burst out of the stories in Ab(solutely) Normal: Short Stories That Smash Mental Health Stereotypes.
Guest Post: Sathya Achia on In My Hands
Sathya Achia weaves the complexity of gods and demons and magic with the life of 16-year-old Chandra, who’s confronted with rising danger from a supernatural enemy that threatens everyone she loves. Achia’s cultural backdrop is particularly interesting because it’s very specific, drawn from the author’s own ancestral Kodava culture (related to a specific ethnolinguistic group of southern India).
“Selavu is not so much of a weapon as it is a shield. Same with those cuffs they are part of traditional Kodaguru warrior armor,” Gowramma says, forcing me to think, but I can’t because my head is throbbing, and my thoughts are foggy. “Learn to look deeper. Nothing is ever as it seems.”
— In My Hands by Sathya Achia
In this fast-paced tale of curses and battles, but also of family and community and one girl’s struggle to meet her destiny, nothing is as it seems. I’m delighted to welcome Sathya Achia to tell us more about her novel, from Ravens & Roses.
Process Talk: Rajani LaRocca on Red, White, and Whole
I’ve been wanting to write this post ever since I first read Red, White, and Whole, Rajani LaRocca’s novel in verse about grief, loss, and coming of age as a desi kid in America. I asked Rajani if she’d tell me a little about the process of writing this beautifully crafted book, which has been so deservedly recognized (Newbery Honor, Walter Dean Myers Award Winner, Golden Kite Award Winner).
Colonial Connections in Saving Savannah
Tonya Bolden’s YA novel, Saving Savannah, is set at the end of WWI. It’s a meticulously documented novel, the story of 17-year-old Savannah Riddle who finds herself rebelling against the elite Black Washington DC society of her parents.
Power and the Silencing of Activists
Mythology and performance play roles in Oonga, the novel version of a 2013 movie with the same name, which won a 2021 Neev Book Award. The real-life dystopia of corporate plunder and the clash of ideologies lie at the heart of the novel, its storyline delivered in fragments that echo the fracturing of the land, torn up and left bleeding by the mining company. Sometimes fiction can help disseminate the truth about real-world events.
Guest Post: Nandini Bajpai on Sister of the Bollywood Bride
Nandini Bajpai was my student years ago when I taught classes on writing for children on writers.com. (Aside: I’m happy to see that VCFA graduate Kelly Bingham teaches there now.)
Process Talk: Rita Williams-Garcia on A Sitting in St. James
Once in a while you find a book that makes you stop and reread passages for the power of their words.
History and Self in Everything Sad is Untrue
Here is the debut offering from an exciting new press—Levine Querido—notable in contemporary children's and YA publishing for the minds behind it and for its focus on building a platform for previously underrepresented voices.
Marina Budhos on Mentoring Writers
Who have I learned from? In whose footsteps have I followed? What have I done to nurture those who will follow me? Having been in this writing business now for some 30 years, and taught writers for about twenty of them, I suppose it's natural to think about such questions from time to time. I have followed Marina Budhos's work for years, ever since I read her incandescent novel, The Professor of Light. So when I learned she was part of the WNDB 2019 group of mentors, I asked her if she'd write me a reflection on what mentorship means to her.
Power, Agency, and Life's Big Questions in Hearts Unbroken by Cynthia Leitich Smith
My friend and colleague Cynthia Leitich Smith has long been an articulate voice for change in the field of writing for young readers. Cyn is practically a publishing industry all by herself, with picture books, short stories, realistic novels, poetry, and an astonishingly comprehensive online archive of children’s and YA literature resources.