Writing With a Broken Tusk
Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. The blog name refers to the mythical pact made between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House and still miraculously in print.
Since March, writer and former student Jen Breach has helped me manage guest posts and Process Talk pieces on this blog. They have lined up and conducted author/illustrator interviews and invited and coordinated guest posts. That support has helped me get through weeks when I’ve been in edit-copyedit-proofing mode, and it’s also introduced me to writers and books I might not have found otherwise. Our overlapping interests have led to posts for which I might not have had the time or attention-span. It’s the beauty of shared circles—Venn diagrams, anyone?
Whose Year? Whose Story?
As we end this year—another profoundly strange, unsettling year—I’ve just finished reading Craft in the Real World by Matthew Salesses. It made me want to weep and cheer in turn, sometimes at the same time. It spoke to so many memories I have of my own experiences with fellow writers, agents, and editors, and of having to push back for too many years against common expectations of what a story is and what shape it should take.
Sarah Ellis is in a Flap
My friend and former VCFA colleague Sarah Ellis is in a flap about words. That is to say, a BookFlap mini-masterclass, BookFlap being a new collaborative site launched by four Canadian writers and authors of books for young readers--Vicki Grant, Teresa Toten, Marthe Jocelyn, and Kathy Kacer.