Writing With a Broken Tusk

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Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. The blog name refers to the mythical pact made between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House and still miraculously in print.

Since March, writer and former student Jen Breach has helped me manage guest posts and Process Talk pieces on this blog. They have lined up and conducted author/illustrator interviews and invited and coordinated guest posts. That support has helped me get through weeks when I’ve been in edit-copyedit-proofing mode, and it’s also introduced me to writers and books I might not have found otherwise. Our overlapping interests have led to posts for which I might not have had the time or attention-span. It’s the beauty of shared circles—Venn diagrams, anyone?

The Words in Picture Books: In Praise of “Little”
picture books Uma Krishnaswami picture books Uma Krishnaswami

The Words in Picture Books: In Praise of “Little”

Every time I make some wise declaration about the nature of words, I set myself up for a comeuppance. This is probably a good thing. It keeps me honest. It reminds me that the effectiveness of words always depends on skill and intention. Most recently, I found myself questioning the use of the word “little.” When we speak of our characters as “little children” are we patronizing them?

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