Writing With a Broken Tusk

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Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. The blog name refers to the mythical pact made between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House and still miraculously in print.

Since March, writer and former student Jen Breach has helped me manage guest posts and Process Talk pieces on this blog. They have lined up and conducted author/illustrator interviews and invited and coordinated guest posts. That support has helped me get through weeks when I’ve been in edit-copyedit-proofing mode, and it’s also introduced me to writers and books I might not have found otherwise. Our overlapping interests have led to posts for which I might not have had the time or attention-span. It’s the beauty of shared circles—Venn diagrams, anyone?

Personal Geographies
setting Uma Krishnaswami setting Uma Krishnaswami

Personal Geographies

Place is at the heart of who we are. We hold it close. We mourn its loss. Time makes this a constant, because the place that made you keeps changing, long after you have left it. In a very literal way, maybe it never existed except in your fleeting experience of it.

Dorthe Nors writes of the grip we keep on a place, and how it both holds us and eludes us, in her book of essays on the North Sea coast in her native Denmark, A Line in the World.

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The Right Ghost
short stories Uma Krishnaswami short stories Uma Krishnaswami

The Right Ghost

A couple of weeks ago, I was tinkering with the ending chapters of a middle grade novel that has resided in my files for some time. I’ve read pages from it occasionally at VCFA residencies. But now I’m down to the last stretch of writing it, and I’m noticing something.

I tend to be picky about what I read at this stage of a draft. Something very different seems best, as if I ought to put a wall up between the reading and writing spaces in my mind.

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