Writing With a Broken Tusk
Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. The blog name refers to the mythical pact made between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House and still miraculously in print.
Since March, writer and former student Jen Breach has helped me manage guest posts and Process Talk pieces on this blog. They have lined up and conducted author/illustrator interviews and invited and coordinated guest posts. That support has helped me get through weeks when I’ve been in edit-copyedit-proofing mode, and it’s also introduced me to writers and books I might not have found otherwise. Our overlapping interests have led to posts for which I might not have had the time or attention-span. It’s the beauty of shared circles—Venn diagrams, anyone?
Time and Place in The Covenant of Water by Abraham Verghese
One thing it took me awhile to get used to with audiobooks is that they flow past you like water. You can’t stop them to make notes. Well, you can, but it interrupts the flow. The library app will let me rewind and listen to passages now and then but often they’re gone before I recognize that need.
There were many passages in Abraham Verghese’s novel, which he reads himself The Covenant of Water, that I wanted not only to revisit, but also to mark up and write notes about, and more, maybe I just wanted to see them. I wanted to see how they scanned on the page.