Writing With a Broken Tusk
Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. The blog name refers to the mythical pact made between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House and still miraculously in print.
Since March, writer and former student Jen Breach has helped me manage guest posts and Process Talk pieces on this blog. They have lined up and conducted author/illustrator interviews and invited and coordinated guest posts. That support has helped me get through weeks when I’ve been in edit-copyedit-proofing mode, and it’s also introduced me to writers and books I might not have found otherwise. Our overlapping interests have led to posts for which I might not have had the time or attention-span. It’s the beauty of shared circles—Venn diagrams, anyone?
Prose and Possibility in The Last White Man by Mohsin Hamid
In the manner of Gregor Samsa in Kafka’s Metamorphosis, Anders, the protagonist of Mohsin Hamid’s novella, The Last White Man, wakes up to find himself transformed. He’s not a bug, however. As you might expect from the title, Anders has turned brown. We’re never quite sure why—there is some speculation that there was something in the water—but brown he is, “a deep and undeniable brown.” Soon others begin turning brown as well.