Writing With a Broken Tusk

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Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. The blog name refers to the mythical pact made between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House and still miraculously in print.

Since March, writer and former student Jen Breach has helped me manage guest posts and Process Talk pieces on this blog. They have lined up and conducted author/illustrator interviews and invited and coordinated guest posts. That support has helped me get through weeks when I’ve been in edit-copyedit-proofing mode, and it’s also introduced me to writers and books I might not have found otherwise. Our overlapping interests have led to posts for which I might not have had the time or attention-span. It’s the beauty of shared circles—Venn diagrams, anyone?

Process Notes: Larissa Theule on Kafka and the Doll
Uncategorized Uma Krishnaswami Uncategorized Uma Krishnaswami

Process Notes: Larissa Theule on Kafka and the Doll

Kafka and the Doll is a picture book inspired by a fabled tale from legendary writer Franz Kafka's life. The book opens in Berlin in 1923, when Kafka and his sweetheart, Dora Diamant meet a little girl in a park in Berlin. The girl, Irma, is crying because she’s lost her doll, named, engagingly, Soupsy. Kafka assures her that the doll, named Soupsy, is not lost but merely traveling. What ensues is at once kind, inventive, and captivating. For three weeks Kafka writes and delivers letters to the child from her globetrotting doll. The letters thread through the journey of writer and child, becoming emblematic of growth and life, affection and loss.

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