Writing With a Broken Tusk

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Writing With a Broken Tusk began in 2006 as a blog about overlapping geographies, personal and real-world, and writing books for children. The blog name refers to the mythical pact made between the poet Vyaasa and the Hindu elephant headed god Ganesha who was his scribe during the composition of the Mahabharata. It also refers to my second published book, edited by the generous and brilliant Diantha Thorpe of Linnet Books/The Shoe String Press, published in 1996, acquired and republished by August House and still miraculously in print.

Since March, writer and former student Jen Breach has helped me manage guest posts and Process Talk pieces on this blog. They have lined up and conducted author/illustrator interviews and invited and coordinated guest posts. That support has helped me get through weeks when I’ve been in edit-copyedit-proofing mode, and it’s also introduced me to writers and books I might not have found otherwise. Our overlapping interests have led to posts for which I might not have had the time or attention-span. It’s the beauty of shared circles—Venn diagrams, anyone?

“If it was good, it was golden.” History, Fiction, and the Writing Self
audiobooks Uma Krishnaswami audiobooks Uma Krishnaswami

“If it was good, it was golden.” History, Fiction, and the Writing Self

I find rambles through history as captivating as any other kind of rambling travel. Some of the histories I’ve wandered through have led me to the ramblings of the writer Eric Blair who became George Orwell, his nom de plume traveling right into the English language. Orwellian, right up there with Kafkaesque, is frequently conjured up as a reflection of all things authoritarian.

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