I met Alice Curry years ago when I brainstormed with a group of talented writers and storytellers with the objective of designing a MOOC on Coursera with a focus on writing for children. It was a fascinating process. Among all the other ripples those early conversations generated was the remarkable growth of a publishing house under Alice’s leadership. This year Lantana Publishing celebrated its 10th birthday. Here’s my conversation with Alice about this uncommon milestone.

Today the US election is hurtling along to its conclusion. Over the last year, we’ve seen a most peculiar alliance take shape between a man with extreme views who adores the internal combustion engine and another, views equally extreme, who founded a company that revolutionized electric cars. It seems like a good time to see what all this means for children’s books, the little industry that could, the focus of this blog.

Almost 30 years ago, in 1996, GM produced a children’s book meant to educate kids about EVs. Daniel and his parents are shopping for a new car. Here’s a snippet of the text.

How often does a children’s writer get the chance to step onto history’s pathway? I met Rajani LaRocca at Kindling Words five years and an emotional/existential eon ago. I’ve been thrilled to follow her work and successes. In the light of next week’s historic US election, whose outcome is certain to change the world, I invited Rajani to tell me about the Little Golden Book she’s written about Kamala Harris. 

Once in a while, you come across a writer with a big idea—an idea in search of the words it needs for its telling. That was Monique Duncan when she took the picture book intensive semester with me at VCFA. She’d written that idea out, using a many words and plenty of compassion, all of it held aloft by a ton of historical research. Once in a while, you see a project like that settle into a pure, clear distillation of its early self. You see it combined with art that lifts the text so that the book becomes more than the sum of its parts.

Which is why I’m overjoyed to welcome Monique Duncan to this blog, as she writes about the history and personal experience that inspired her picture book, Freedom Braids, illustrated by Oboh Moses and published by Lantana Publishing.

[Posted by Jen Breach for Writing with a Broken Tusk]

The Stonewall-Mike Morgan and Larry Romans Children’s and Young Adult Literature Award and Honors are “given annually to English-language works of exceptional merit for children or teens relating to the gay, lesbian, bisexual and transgender experience”. When We Are Little Feminists: Families won the award in 2021–the first and to date only board book winner or honoree–the committee wrote:

“Beautiful photos of real-life families showcase all the wonderful forms of family, while poetic text builds both vocabulary and family connection. Families helps families and educators celebrate gender and ethnicity at home and in the classroom. Understanding queer identities and representation can be this simple.”

[Posted by Jen Breach for Writing With a Broken Tusk]

There are similarities and differences between Yamile Saied Mendez’s The Beautiful Game (out now) and bestselling, beloved novel Furia (2020). Both are exceptionally compelling fiction led by talented and passionate female soccer players, raised in close-knit Argentinian extended families, who are trying to find the place in the world they believe to be theirs, even though others say different. From there nuance and difference unfold. The biggest difference, obviously, is that in the YA Furia, Camila is seventeen, and in the middle-grade The Beautiful Game, “Magic” is thirteen. 

Jen talks to Yamile about The Beautiful Game.

[Posted by Jen Breach for Writing With a Broken Tusk]

Elizabeth Partridge’s The Golden Gate: Building the Mighty Bridge tracks the epic construction of the Golden Gate Bridge in the 1930s–at the time by far the world’s longest suspension bridge and commonly thought to be an “impossible” project–from an utterly child-centric POV. 

Here at Writing With a Broken Tusk, we are preoccupied with crossing borders, and it strikes me that a bridge is as much of a transitional space as a border between countries. But there’s something about the scope of a bridge–especially one as long, and striking as the Golden Gate–that gives us a physical reminder of being in liminal space that crossing an invisible, imaginary, pencil-thin border between countries.